Search results

Academic integrity in tertiary education is a global concern. This chapter describes academic integrity in Australian universities and proposes an “it takes a village” framework to guide universities toward a re-evaluation of academic integrity education. It takes a village to raise a child – a child needs role models and positive influences from multiple people for healthy growth and development. With regard to academic integrity, the parallel is that the entire university community needs to be involved to foster development of students of integrity. The institution and its community need to provide structures, multiple positive and effective learning experiences, and clear guidelines to support both staff and students. In this chapter, we argue that academic integrity needs to be seen as a complex system, one in which everyone involved has responsibility to develop and maintain a culture of integrity and one which supports a student throughout their academic journey.

In the spring this year, the new Registrar of Companies, Stephen Curtis (NLW, December 1985) wrote to all, or nearly all, the public libraries which subscribe to the CRO microfiche directory of companies registered in Great Britain, offering to supply order forms and pre‐paid envelopes to obtain company records by post. As I understand the offer, the pre‐paid envelopes would be included for carriage to and from Cardiff. The letter said, ‘Part of CRO's marketing strategy is to improve the service available to users of the directory of British companies…I envisage supplying you initially with 100–150 order forms plus pre‐paid envelopes as soon as possible’. I understand a number of libraries have already replied positively to the proposal. This is along the lines I suggested first in this column in February 1984.

From delightful Aberystwyth word trickles through the Libraryland grapevine that Frank Hogg, Principal of College of Librarianship Wales, will retire shortly. Prompts a thought or three.

Continuing education for library and information management Ealing College of Higher Education is using a grant from BLR&DD to examine two main areas: para‐professional education and the coordination of external course provision. The present project, which runs from October 1985 to March 1986, is building on past work at Ealing. Ealing has developed a substantial database of short courses in librarianship and information science with details of cost, duration, location and subject. The work on para‐professional education will assess staff needs and will note experience in other countries, including the United States. The study of coordination will involve surveying course providers to see how they decide what courses to arrange, and how to price and market them. Further details are available from Dr Stephen Roberts, Ealing College of Higher Education, School of Library and Information Studies, St Mary's Road, Ealing, London W5 5RF (Tel: 01–579 4111 ext.3337).

The purpose of this chapter is to map out the role of arts and the transfer values of the case of intensified music education as a governance tool for cultural sustainability. It takes the form of a literature review, which reveals that the role of arts in terms of governance of cultural sustainability includes the arts as issues of cultural heritage; symbolic translations of cultural values; transferring learning about emotions and life-quality, cooperation and linguistic-logical skills and potential transmitters of socio-economic enhancement of individuals performing it. The negative outcome is that the arts are predominated by the elite and wealthy, and that the potential of the role of the arts in the public education curriculum has not been utilised nor preferred in many countries as a result of low government expenditure. Other projects may exist in non-academic public media that may confirm or reject the findings. The chapter suggests academia and practitioners study, impact and initiate better ways of including the arts in the governance of cultural sustainability through public education. The inclusion of the arts in public education can improve the livelihood of children in all socio-economic areas. It connects two different literatures – that of cultural sustainability and that of traditional art studies in education, and raises questions about current governance practices underestimating the value of including cultural sustainability in governance and the role of the arts herein.

This chapter suggests that the unsettling reconfiguration of ‘home’ in works of post-colonial literary adaptation has an affective impact on non-Indigenous readers, contributing, potentially, to processes of decolonisation. Ken Gelder and Jane M. Jacobs, in their book Uncanny Australia: Sacredness and Identity in a Postcolonial Nation, argue that Australian texts which seek to disturb readers by pursuing modes of post-colonial ‘unsettlement’ can activate new discourses and, thereby, inspire social change (1998). Focussing upon undergraduate student responses to two works of Aboriginal Australian literary adaptation, Melissa Lukashenko's short story ‘Country: Being and Belonging on Aboriginal Land’ (2013) and Leah Purcell's stage play, The Drover's Wife (2016), this chapter draws upon ideas pertaining to ‘affect’ to reveal how, through the subversive reimagining of tropes and structures commonly associated with Western dwelling, works of Indigenous literary adaptation elicit emotional responses in non-Indigenous readers and, in so doing, open up new spaces for listening within existing frameworks of white possession.

“‘Personable’ is management‐ese for ‘crumpet’”. Thus observed an old friend late last Sunday; much too late indeed for the subsequent dialogue about equal opportunities, in which we drew heavily upon anecdotal evidence, experiential learning and totally unsubstantiated surmise. What better cocktail for an evening's imbibing, and where better than the pages of NLW to air one of the hidden agendas of professional life?